Patricia Walton - A walk in the forest - Une marche dans le bois - Acrylic - 18 x 18 x 1 12

# 2411557

PATRICIA WALTON - A WALK IN THE FOREST - UNE MARCHE DANS LE BOIS - ACRYLIC - 18 X 18 X 1 12

Name: Patricia Walton - A walk in the forest - Une marche dans le bois - Acrylic - 18 x 18 x 1 12 by Global Art League Wall Art
Brand: Pictorem
SKU: 2411557
Price: 91 USD
Availability: InStock

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Global Art League 2025 | Musée et Centre d’art de Montréal Participant in the Global Art League / Participant.e à la Global Art League Art by / ...[+]

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Acrylic Print

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Get a Modern piece of art with this vibrant Acrylic Print.
Fine Art made from a Premium polished, best-in-class, 99.9% optically pure acrylic and the latest Flatbed printing craftmanship.

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Free shipping in USA and Canada

Acrylic Print with Floating Frame on the back

Printed to the edge & Ready to hang. With a floating frame on the back and hanging wire

1/8" thickness

3/16" thickness

1/8" Thickness:

8 x 8 inches

21 x 21 cm

1/8 - Back Frame Mount

^$119

12 x 12 inches

31 x 31 cm

1/8 - Back Frame Mount

^$134

16 x 16 inches

41 x 41 cm

1/8 - Back Frame Mount

^$154

20 x 20 inches

51 x 51 cm

1/8 - Back Frame Mount

^$180

24 x 24 inches

62 x 62 cm

1/8 - Back Frame Mount

^$211

30 x 30 inches

77 x 77 cm

1/8 - Back Frame Mount

^$269

36 x 36 inches

92 x 92 cm

1/8 - Back Frame Mount

^$340

3/16" Thickness:

8 x 8 inches

21 x 21 cm

3/16 - Back Frame Mount

^$140

12 x 12 inches

31 x 31 cm

3/16 - Back Frame Mount

^$158

16 x 16 inches

41 x 41 cm

3/16 - Back Frame Mount

^$184

20 x 20 inches

51 x 51 cm

3/16 - Back Frame Mount

^$216

24 x 24 inches

62 x 62 cm

3/16 - Back Frame Mount

^$256

30 x 30 inches

77 x 77 cm

3/16 - Back Frame Mount

^$330

36 x 36 inches

92 x 92 cm

3/16 - Back Frame Mount

^$420

Acrylic Print with Stand off

Printed to the edge - Ready to hang - provided with 4 premium polished aluminum stand off ( wall screws and mounting hardware provided )
We suggest a thicker 3/16" acrylic for any size over 42 inches to guarantee a straight acrylic, without curvature

1/8" thickness

3/16" thickness

1/8" Thickness:

3/16" Thickness:

Brushed Metal Print / Smooth White Metal Print

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Brushed Metal Print

Smooth White Metal Print

The areas of the photograph that are white or very light are not printed The white areas appear metallic.
Robust, very light and provides an amazing aluminum lighting effect [+]

30 days satisfaction guaranteed
Free shipping in USA and Canada

Brushed Metal Print with Floating Frame on the back

Printed to the edge & Ready to hang a floating frame and hanging wire

Brushed Metal Print with Stand off

Printed to the edge - Ready to hang - provided with 4 premium polished aluminum stand off ( wall screws and mounting hardware provided )

Direct print on metal to provide a white smooth satin finish with controlled light reflection.
Robust, very light and provides a Matte effect [+]

30 days satisfaction guaranteed
Free shipping in USA and Canada

White Metal Print with Floating Frame on the back

Printed to the edge & Ready to hang a floating frame and hanging wire

White Metal Print with Stand off

Printed to the edge - Ready to hang - provided with 4 premium polished aluminum stand off ( wall screws and mounting hardware provided )

Wood Print

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Printed with UV cured inks providing an incredible high quality printed image which is scratch resistant with colors that will not fade overtime.
White and lighter areas are not printed on the wood, revealing the beauty of the wood’s texture and natural beauty!
Printed on 3/8" (9mm) thick and strong and durable Russian Birch wood which is ready to hang and enjoy! [+]

30 days satisfaction guaranteed
Free shipping in USA and Canada

Wood Print with Back Frame Mount

Printed to the edge & Ready to hang a floating frame

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Roll Print

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Mural Print

Easy to Install. Washable & Repositionable Self-Adhesive Vinyl [+]

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Our 10 Color Technology
Our wall murals are produced on printers with Outstanding photographic print quality & durability Extreme image resolution : photographic image quality with the largest color gamut in its class

Easy to Install
Our Wall Mural Print is removable without any damage to your walls. Easy to change or remove. We are using a premium 6 mil auto-adhesive vinyl with a subtile linen-cotton canvas texture.
Change the look and feel of a room without the hassle of traditional wallpaper. Our wall murals print are the perfect solution to easily enhance any residential or commercial space alike!

Repositionable self-adhesive vinyl delivered in strip of 35 to 45 inches of width and slightly overlap for easy installation.
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Custom Framed print

Get this artwork "Patricia Walton - A walk in the forest - Une marche dans le bois - Acrylic - 18 x 18 x 1 12" in a framed print.
Fully customizable - at the exact size you want. Select paper type, glass, matte and decorating frame
Start building your custom framed print by selecting one the following moulding:

Patricia Walton - A walk in the forest - Une marche dans le bois - Acrylic - 18 x 18 x 1 12 Picture Frame Printing

Frame model shown: 832-745

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Standard size framed print

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28 x 28"

^$174

28 x 28" Framed Print

Patricia Walton - A walk in the forest - Une marche dans le bois - Acrylic - 18 x 18 x 1 12 Frame print

Printed Area: 24 x 24"
Total Inside area: 28.00 x 28.00"
White Border: 2" on each side
Frame Width: 1.25" on each side
Total Physical dimension: 29.25 x 29.25"

Frame model: 832-745
Printing method: 1200dpi UV cured ink on fine art matte board
Ready to hang with wire at the back

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Wall Clock

Product details

This artwork is Made with high-quality acrylic Ready to hang.

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Clock mechanism with a Precise quartz movement. Battery included
Available in Square or Round format
Available in 12" 16" 24" sizes

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File resolution: 1621 x 1603 pixels

ABOUT GLOBAL ART LEAGUE fs
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ABOUT THIS ARTWORK: PATRICIA WALTON - A WALK IN THE FOREST - UNE MARCHE DANS LE BOIS - ACRYLIC - 18 X 18 X 1 12
Global Art League 2025 | Musée et Centre d’art de Montréal Participant in the Global Art League / Participant.e à la Global Art League Art by / Œuvre de : Patricia Walton Title / Titre : A walk in the forest / Une marche dans le bois / Acrylic / 18 x 18 x 1 1/2

BIO
Née et ayant grandi dans une région agricole de l’Ontario marquée par les traditions écossaise et irlandaise, Walton développe une pratique artistique incluant la sculpture, la peinture et les arts mixtes. Elle étudie l’artisanat et le design (1974-1976) à Brockville, Ontario, auprès de Katharine Ylitalo et Richard Gill, puis obtient un diplôme en arts textiles au Alberta College of Art (Calgary, 1979), où elle étudie avec Katharine Dickerson, Jane Kidd, Wendy Toogood et Alexandra Haeseker.

En 1981, elle ouvre un atelier d’arts textiles dans le nord de la Saskatchewan, où elle réalise de grandes tapisseries tissées, inspirées par la vie crie locale. Employée comme animatrice des arts et de la culture, elle organise et donne des cours communautaires (dessin, peinture, tissage, danse), dirige un espace d’exposition local et participe à la création de festivals et événements artistiques dans la région. En 1983, elle étudie à l’école d’art Emma Lake avec l’artiste textile Ann Newdigate Mills. Walton reçoit plusieurs distinctions pour son travail en fibres : le Prix d’excellence du Festival d’hiver de Prince Albert en 1983 ; une tournée provinciale de son travail organisée par l’Organization of Saskatchewan Arts Councils en 1984 ; et une bourse de voyage du Saskatchewan Arts Board en 1985. En 1987, elle étudie avec George Glenn, David Alexander et Greg Curnoe à la Saskatchewan Summer School of the Arts. En 1988, elle reçoit une bourse de recherche et création du Saskatchewan Arts Board, et expose son projet à la Galerie Gordon Snelgrove à Saskatoon.

En 1985, Walton s’installe à Montréal, à la suite d’un handicap visuel qui l’empêche de poursuivre le travail textile. Sa pratique s’oriente alors vers la peinture, le collage, la sculpture et la performance de « peinture en direct ». Elle poursuit sa formation à l’Institut Simone de Beauvoir, au Visual Arts Centre à Westmount (où elle étudie l’abstraction avec Marie-Claude Bouthillier), ainsi qu’à l’École d’été internationale de Percé (Université Laval), sous la direction d’Alexandre David. Walton anime des séances de modèle vivant et participe à des événements de peinture en direct à Montréal, qu’elle contribue aussi à organiser. En 2004-2005, elle est cofondatrice du collectif Sauvons L’usine, mobilisé pour sauver l’édifice Grover, abritant plus de 300 ateliers d’artistes, menacé par un projet de condos. Elle cofonde ensuite La Virée des ateliers, un événement annuel de portes ouvertes sur quatre jours dans trois édifices (2006–2023). Entre 2014 et 2016, elle est représentée par la Galerie Nuedge à Montréal, puis par la Galerie Deux Poissons (2017–2019). Elle est actuellement représentée par David Astrof Fine Arts (Montréal). En 2017, elle reçoit une bourse de développement créatif du Conseil des arts du Canada, puis une bourse d’acquisition du CALQ en 2020. En 2024, elle obtient une subvention de projet du Conseil des arts de Montréal et travaille en 2025 sur un deuxième projet financé également par le Conseil des arts de Montréal. Walton vit et travaille à Montréal.

BIO
Born and raised in Scottish / Irish Ontario farming country, Walton’s work includes sculpture, painting and mixed media Walton studied Craft and Design (1974-76) in Brockville, Ontario under Katharine Ylitalo and Richard Gill, then, graduated in Textile Arts at Alberta College of Art (Calgary 1979) ), studying under Katharine Dickerson, Jane Kidd, Wendy Toogood, and Alexandra Haeseker. In 1981, she opened a textile arts studio in northern Saskatchewan producing large-scale woven tapestries based on observations of local Cree life. Employed as Animateur of Arts and Culture, Walton organized and taught community classes (drawing, painting, weaving, and dance); operated a community exhibition space; and directed the development of local art festivals and events. In 1983 she attended Emma Lake Art School studying under textile artist Ann Newdigate Mills. Walton received numerous accolades for her fibre works; the Prince Albert Winter Festival Prix d’excéllence in 1983; a provincial tour of her work hosted by the Organization of Saskatchewan Arts Councils in 1984; and a Saskatchewan Arts Board travel grant in 1985.

In 1987 Walton studied under artists George Glenn, David Alexander, and Greg Curnoe at the Saskatchewan Summer School of the Arts. In 1988, she received a Saskatchewan Arts Board Research and Creation grant, exhibiting the completed project at the Gordon Snelgrove Gallery in Saskatoon. Walton moved to Montréal in 1985, when a visual disability affected her ability to continue textile art. From this point, her practice shifted to painting and collage, sculpture, and ‘live painting’ performance. Walton continued her education at L’institute Simone de Beauvoir, Visual Arts Centre in Westmount (where she studied abstraction under Marie-Claude Bouthillier), and at l’École d’été Internationale de Percé (U. of Laval) under the tutelage of Alexandre David. Walton managed Modèle Vivant sessions, participated in, and organized Peinture en Direct in Montreal. In 2004-05 she became one of the founding members of Sauvons L’usine in the battle to save the Grover building, which housed studio spaces for over 300 artists, from being sold for condominium construction. From here, she became a founding member of the annual 4 day/ 3 building open studio event La virée des ateliers (2006 -2023). In 2014 -16, Walton was represented by Galerie Nuedge in Montreal, and in 2017 - 19, Walton’s work was then represented by Galerie Deux Poissons, Mtl. Walton continues to be represented by David Astrof Fine Arts (Mtl.) In 2017, Walton was awarded a Canada Council for the Arts Creative development grant, while in 2020, Walton received an Acquisition grant from CALQ. In 2024 Walton was granted project funding from Conseil des arts de Montréal, QC. and is currently (2025) working on a second project grant again funded courtesy Conseil des arts de Montréal, QC. Walton lives and works in Montreal.

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